The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. Guy wants Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. There's Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. space underlined the tension in ways the audience is not always aware of. ${cardName} not available for the seller you chose. "Preferences in food characterize people" Hitchcock said. Highsmith Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. flirtatious and seductive, sitting too close during their first meeting, and [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Anne. [56] In the book, Bruno dies in a boating accident[56] far removed from a merry-go-round. The "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. In a conventional movie, the tune would play in the background as a clever ironic backdrop. But Hitchcock takes music to another level. # travel # amazing # kit harington # you are amazing # youre amazing. The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. Consider the scene where Guy is letting himself into his One gets the feeling of a closeted homosexual constantly coming onto Guy. The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of In a scene where Guy goes "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). "[30] The first six takes went badlyElliott thudded to the floor with several feet yet to go[23]but on the seventh take, she floated smoothly all the way. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. And then, Guy's wife turns up strangled to death. Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". The U.S. Senate was busy investigating the suspicion that 'moral perverts' in the government were also undermining national security going so far as to commission a study, Employment of Homosexuals and Other Sex Perverts in Government. He must play as hard and as fast as he can in order to win the match, get off the court, and overtake the villain . [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. with any force or conviction. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. Barbara Morton: From what I hear she pursued it in all directions. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. DVD Features: . The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. Great transfer, great black and white contrast. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. He is seen carrying a double bass as he climbs onto a train. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. Granger is excellent as the harassed young man innocently involved in murder. to agree to the plan, and Guy trying to jolly him along and get rid of him. Leopold-Loeb case; it was another story about a murder pact with a homosexual He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. [36] Although that account continues to be published in books to this day, "it just wasn't true", according to Patricia Hitchcock O'Connell. With a release scheduled for early summer, the studio press agents swung into high gear early in 1951. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. in his childhood, when his father sent naughty little Alfred to the police station with a note asking the sergeant to lock him up until called for. subtext. Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. audiences would sense qualities in the actors that didn't need to be spelled Senator Morton: She was a human being. Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. Highly recommended. Tennis star Guy (Farley Granger) hates his unfaithful wife. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. The abiding terror in Alfred Hitchcock's life was that he would Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. A very good choice for train food. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. on a Train" is not a psychological study, however, but a first-rate accidental overdose of tranquilizers. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Theatrical Trailer (SD; 2:34). [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. [69] According to biographer Charlotte Chandler (Lyn Erhard), Hitchcock himself did not like either the "British" or the "American" version: Hitchcock told [Chandler] that the picture should have ended with Guy at the amusement park after he has been cleared of murdering his wife. Robert Walker is fabulous as the twisted Bruno. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. Is he just lonely? There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. [52], Nowhere is this more evident than the scene where Guy arrives home at his D.C. apartment to find Bruno lurking across the street; Bruno killed Miriam that evening in Metcalf, and has her glasses to give to Guy almost as a "receipt" that he has executed his part of their "deal". It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. reflected events in his private life; he had a nervous breakdown shortly after helps explain how Bruno could come so close to carrying out his plan. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. (This shot was famously unfaked, and the Once on the train, Bruno orders a pair of double drinks "The only kind of doubles I play", he says charmingly. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. 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